{"id":7768,"date":"2022-09-05T17:32:07","date_gmt":"2022-09-05T09:32:07","guid":{"rendered":"https:\/\/www.itsc.ntnu.edu.tw\/?page_id=7768"},"modified":"2022-09-18T02:05:55","modified_gmt":"2022-09-17T18:05:55","slug":"eajpc-preprints","status":"publish","type":"page","link":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/publication\/eajpc-preprints\/","title":{"rendered":"EAJPC preprints"},"content":{"rendered":"\t\t
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EAJPC Preprints<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\r\n \r\n \r\n \r\n \r\n <\/title>\r\n <style type=\"text\/css\">\r\n body {\r\n widows: 0;\r\n orphans: 0;\r\n font-family: Calibri;\r\n font-size: 12pt;\r\n }\r\n p {\r\n margin: 0pt;\r\n }\r\n li {\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n }\r\n .Footer {\r\n widows: 0;\r\n orphans: 0;\r\n font-size: 10pt;\r\n }\r\n .Header {\r\n widows: 0;\r\n orphans: 0;\r\n font-size: 10pt;\r\n }\r\n .ListParagraph {\r\n margin-left: 24pt;\r\n widows: 0;\r\n orphans: 0;\r\n font-size: 12pt;\r\n }\r\n span.Hyperlink {\r\n text-decoration: underline;\r\n color: #0000ff;\r\n -aw-style-name: hyperlink;\r\n }\r\n span.Strong {\r\n font-weight: bold;\r\n -aw-style-name: strong;\r\n }\r\n span.UnresolvedMention {\r\n color: #605e5c;\r\n background-color: #e1dfdd;\r\n }\r\n span.a0 {\r\n font-size: 10pt;\r\n }\r\n span.a {\r\n font-size: 10pt;\r\n }\r\n <\/style>\r\n <\/head>\r\n <body>\r\n <div>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n font-weight: bold;\r\n color: #222222;\r\n \"\r\n >\u2018Preprint\u2019\u00a0 Explanation\r\n <\/span>\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >EAJPC editors see the benefit<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >that our publications gain a broad audience, which may help with the\r\n ranking and wider visibility of our research output. <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >Intellect publishers are aware of this, and have opened the\r\n possibility to have published articles which have passed the embargo\r\n of 1 yea<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >r to be freely circulated in their<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >preprint<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >version. There are a number of servers to upload<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >preprints, but Intellect works with SOCARXIV <\/span\r\n ><a href=\"https:\/\/socopen.org\/\" style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n text-decoration: underline;\r\n color: #0000ff;\r\n \"\r\n >https:\/\/socopen.org\/<\/span\r\n ><\/a\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">\r\n and\u00a0 <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n text-decoration: underline;\r\n color: #0000ff;\r\n \"\r\n >https:\/\/osf.io\/preprints\/socarxiv<\/span\r\n ><\/a\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">\r\n (SFO)\r\n <\/span>\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n font-weight: bold;\r\n text-decoration: underline;\r\n color: #222222;\r\n \"\r\n >Note:<\/span\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n font-weight: bold;\r\n text-decoration: underline;\r\n color: #222222;\r\n \"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">\r\n Unlike some common misunderstandings - and practices - that preprints\r\n are considered non-peer reviewed<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >papers and the use of preprint servers,<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n font-weight: bold;\r\n color: #222222;\r\n \"\r\n >this is not the case for the EAJPC preprints<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >. The content is identical to the published version with the only\r\n difference that it does not have the<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >Intellect journal page layout and page numbering, but uploads the\r\n 'copy edited' version including<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >the corrections<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >from the proof settings. Furthermore, each preprint uploaded to SFO\r\n is <\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >premoderated<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">\r\n and only given a preprint DOI when accepted.<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n font-weight: bold;\r\n color: #222222;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span\r\n style=\"\r\n font-family: '\u7b49\u7ebf';\r\n font-weight: bold;\r\n color: #222222;\r\n background-color: #fafafa;\r\n \"\r\n >\u300c\u9810\u5370\u672c\u8ad6\u6587\u300d<\/span\r\n ><span\r\n style=\"\r\n font-family: '\u7b49\u7ebf';\r\n font-weight: bold;\r\n color: #222222;\r\n background-color: #fafafa;\r\n \"\r\n >\u7684\u8aaa\u660e<\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span style=\"font-family: 'Times New Roman'; color: #222222\">EAJPC<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7684\u7de8\u8005\u5011\u767c\u73fe<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u4ed6\u5011<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u6587\u7ae0<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u8207<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u51fa\u7248\u5f97\u5230<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u53f0\u7063<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u8b80\u8005\u5ee3\u6cdb\u7684\u95dc\u6ce8<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u8207\u91cd\u8996<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\uff0c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u70ba\u4e86\u63d0\u4f9b\u66f4\u597d\u7684\u5b78\u8853\u80fd\u898b\u5ea6<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u4ee5\u53ca\u8b93\u5927\u5bb6\u7684\u7522\u51fa\u5f97\u5230\u66f4\u591a\u56de<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u994b<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\uff0c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7de8\u8005\u5011<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u6c7a\u5b9a<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u89e3\u7981\uff0c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u63d0\u4f9b<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u6587\u7ae0\u7684\u9810\u5370\u672c\u7248\u672c<\/span\r\n ><span\r\n style=\"\r\n font-family: PMingLiU;\r\n font-weight: bold;\r\n text-decoration: underline;\r\n color: #222222;\r\n \"\r\n >\u4e00\u5e74<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7684<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u514d\u8cbb\u6d41\u901a<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u6b0a\u9650<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\uff0c\u8457\u4f5c\u4e3b\u8981\u5c07\u5728<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >Intellect<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u5408\u4f5c\u7684\u9810\u5370\u672c\u4f3a\u670d\u5668<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >SOCARXIV <\/span\r\n ><a href=\"https:\/\/socopen.org\/\" style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n text-decoration: underline;\r\n color: #0000ff;\r\n \"\r\n >https:\/\/socopen.org\/<\/span\r\n ><\/a\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"> <\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u4ee5\u53ca<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">SFO<\/span\r\n ><span style=\"font-family: 'Times New Roman'\"> <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n text-decoration: underline;\r\n color: #0000ff;\r\n \"\r\n >https:\/\/osf.io\/preprints\/socarxiv<\/span\r\n ><\/a\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u4e0a\u50b3\uff0c\u6b61\u8fce\u5927\u5bb6\u4f7f\u7528\u3001\u53c3\u8003\uff01<\/span\r\n ><br \/>\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span\r\n style=\"\r\n font-family: PMingLiU;\r\n font-weight: bold;\r\n text-decoration: underline;\r\n color: #222222;\r\n \"\r\n >\u6ce8\u610f\uff1a<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"> <\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u5e38\u6709\u4eba\u8aa4\u6703\u6216\u8a8d\u70ba\u9810\u5370\u672c\u662f\u7121\u540c\u5115\u6aa2\u8996\u7684\u8ad6\u6587\u6216\u662f<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u6c92\u901a\u904e<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u5be9\u67e5\u7b49<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u9810\u5370\u672c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u4f3a\u670d\u5668<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7684\u4f7f\u7528<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\uff0c\u4f46\u6211\u5011\u5fc5\u9808\u6f84\u6e05\uff1a<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >EAJPC<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7684\u9810\u5370\u672c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u5167\u5bb9<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u4e0d\u540c\u3002\u9019\u4e9b\u5167\u5bb9\u90fd\u662f\u53ef<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u4ee5<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u5370\u5237\u767c\u884c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7684<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u7248\u672c\uff0c\u5dee\u7570\u53ea\u5728<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u9019\u4e9b\u5167\u5bb9<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u6c92\u6709<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7d93\u7531<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n >Intellect<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u6392\u7248\u548c\u9801\u78bc\u5b89\u6392<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\uff0c\u4f46\u5167\u5bb9\u4e0a\u90fd<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u5df2<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u662f\u901a\u904e<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u5be9\u7a3f\u8207\u7de8\u8f2f\u968e\u6bb5\u7684\u6587\u7ae0\uff0c\u4e14\u4e0a\u50b3\u5230<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">SFO<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u7684\u6587\u7ae0\u90fd\u5df2\u7d93\u904e\u9810\u5be9\uff0c<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7686<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u5177\u5099\u901a\u904e\u8005\u624d\u6709\u7684\u300c\u9810\u5370\u672c<\/span\r\n ><span style=\"font-family: 'Times New Roman'; color: #222222\">DOI<\/span\r\n ><span style=\"font-family: PMingLiU; color: #222222\">\u7de8\u78bc\u300d\u3002<\/span>\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span style=\"font-family: 'Times New Roman'; color: #222222\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <span style=\"font-family: PMingLiU; color: #222222\"\r\n >\u6211\u5011\u5c07\u5b9a\u671f\u4e0a\u50b3\u66f4\u65b0\u9810\u5370\u672c\u8ad6\u6587\u7684\u5217\u8868\uff0c\u66f4\u591a\u8cc7\u8a0a\u8acb\u4e0a\uff1a<\/span\r\n ><br \/>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <a\r\n href=\"https:\/\/www.cwauthors.com\/article\/understanding-the-use-of-preprint-servers\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n text-decoration: underline;\r\n color: #0000ff;\r\n \"\r\n >https:\/\/www.cwauthors.com\/article\/understanding-the-use-of-preprint-servers<\/span\r\n ><\/a\r\n ><span style=\"font-family: 'Times New Roman'\"> (<\/span\r\n ><span style=\"font-family: PMingLiU\">\u82f1\u6587<\/span\r\n ><span style=\"font-family: 'Times New Roman'\">)<\/span>\r\n <\/p>\r\n <p\r\n style=\"\r\n margin-top: 0pt;\r\n margin-bottom: 0pt;\r\n font-size: 12pt;\r\n \"\r\n >\r\n <a\r\n href=\"https:\/\/mail.google.com\/mail\/u\/0\/#drafts\/FMfcgzGqQSKPdQsZdtMSkMtwdSTqTFDx\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n text-decoration: underline;\r\n color: #0000ff;\r\n \"\r\n >https:\/\/mail.google.com\/mail\/u\/0\/#drafts\/FMfcgzGqQSKPdQsZdtMSkMtwdSTqTFDx<\/span\r\n ><\/a\r\n ><span style=\"font-family: 'Times New Roman'\"> <\/span\r\n ><span style=\"font-family: 'Times New Roman'\">(<\/span\r\n ><span style=\"font-family: PMingLiU\">\u4e2d\u6587<\/span\r\n ><span style=\"font-family: 'Times New Roman'\">)<\/span>\r\n <\/p>\r\n <p style=\"margin-top: 0pt; margin-bottom: 0pt; font-size: 12pt\">\r\n <span\r\n style=\"\r\n font-family: 'Times New Roman';\r\n font-size: 8pt;\r\n vertical-align: sub;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <\/div> \r\n <div>\r\n <p style=\"widows: 2; orphans: 2; font-size: 14pt\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >EAJPC 1.1. ( 1 April 2015)<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n -aw-import: spaces;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >\u2018\u2026behind a screen\u2019: Early intercultural exchange in the Yokohama\r\n treaty port and the Michael Moss court case<\/span\r\n ><span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n > <\/span\r\n ><span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >(1860)<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/chester-proshan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: Muli;\r\n font-size: 11.5pt;\r\n text-decoration: underline;\r\n color: #337ab7;\r\n \"\r\n >Chester Proshan<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\">\r\n <\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/yejna\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/yejna\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n -aw-import: ignore;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >A Japanese engineer who became a Taiwanese deity: Postcolonial\r\n representations of Hatta Yoichi<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/yoshihisa-amae\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: Muli;\r\n font-size: 11.5pt;\r\n text-decoration: underline;\r\n color: #337ab7;\r\n \"\r\n >Yoshihisa Amae<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\">\r\n <\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI:<\/span\r\n ><span> <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/94my3\/\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli;\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/94my3\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2; font-size: 11.5pt\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Qianwei (\u2018avant-garde\u2019) art in reform-era China: Divergence, reversal\r\n and the persistence of (subjective) realism<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/paul-gladston\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Paul GLADSTON<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/7cxkd\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/7cxkd\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Approaching transnational Chinese queer stardom as zhongxing\r\n (\u2018neutral sex\/gender\u2019) sensibility<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/eva-cheuk-yin-li\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Eva Cheuk-yin Li<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/qr786\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/qr786\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Ringing One Missed Call: Franchising, transnational flows and genre\r\n production<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/steven-rawle\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Steven Rawle<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/5k7qc\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/5k7qc\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Cultural harmonization in East Asia: Adaptation of Hana yori dango \/\r\n Boys Over Flowers<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/seiko-yasumoto\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Seiko Yasumoto<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/7rx5j\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/7rx5j\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >What text can tell us about male and female characters in sh\u014djo- and\r\n sh\u014dnen-manga<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/giancarla-unser-schutz\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Giancarla Unser-Schutz<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/c4dnw\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/c4dnw\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n -aw-import: ignore;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2; font-size: 14pt\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >EAJPC 1.2. ( 1 June 2015)<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c;\"\r\n >One photo, two stories: Chinese photos in British museums<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/min-hsiu-liao\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Min-Hsiu Liao<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/vxc95\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/vxc95\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Dubbing Death Note: Framing the authentic text<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jonathan-wroot\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Jonathan Wroot<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >A culture of borrowing: Iconography, ideology and idiom in\r\n Kari-gurashi no Arietti\/The Secret World of Arrietty<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/robert-hyland\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Robert Hyland<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/7gh2v\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/7gh2v\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Negotiating the meaning of filial piety in The Guasha Treatment<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/qijun-han\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Qijun Han<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/2nx5h\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/2nx5h\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Visualizing the self in comedic pathos: Japanese autobiographical\r\n manga at the limit of multiculturalism<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/ikuho-amano\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Ikuho Amano<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/27wsk\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/27wsk\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The witches of Tokyo: An investigation into the bimajyo trend<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/satoshi-ota\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Satoshi Ota<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/xq8hf\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/xq8hf\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Is the Long March a dream? Imagination, nationalism and multiple\r\n declination of a real mythology<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/corrado-neri\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Corrado Neri<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/y95kf\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/y95kf\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Chinese minstrelsy: The popular cultural performance art of Jinhua\r\n Daoqing<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/eugene-cooper\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Eugene Cooper<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/fqens\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/fqens\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n -aw-import: ignore;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2; font-size: 14pt\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >EAJPC 1.3. ( 1 December 2015)<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n -aw-import: ignore;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span\r\n style=\"\r\n font-family: Muli;\r\n font-weight: bold;\r\n color: #4d4c4c;\r\n \"\r\n >In search of an \u2018origin\u2019: Re-presenting guoxue in Chinese cinema of\r\n the new millennium<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/yun-zhu\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n style=\"\r\n font-family: Muli;\r\n font-size: 11.5pt;\r\n text-decoration: underline;\r\n color: #337ab7;\r\n \"\r\n >Yun Zhu<\/span\r\n ><\/a\r\n ><span\r\n style=\"\r\n font-family: Muli;\r\n font-size: 11.5pt;\r\n color: #4d4c4c;\r\n -aw-import: spaces;\r\n \"\r\n >  \r\n <\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/s6nw2\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/s6nw2\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The sky is the limit: Feng Xiaoning\u2019s leitmotif cinema, Chinese soft\r\n power and ideological fantasy<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/frederik-h-green\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Frederik H. Green<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/fzyx7\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/fzyx7\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Bodies in crisis: Sensuality and the cinematic reconfiguration of the\r\n spy genre in contemporary Chinese cinema<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/yanhong-zhu\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Yanhong Zhu<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/xmw8h\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/xmw8h\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Lost in Thailand: Travel metaphors in contemporary Chinese\r\n comedy<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/wei-yang\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Wei Yang<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/65nfg\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/65nfg\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Cultural extraterritoriality: Intra-regional politics in contemporary\r\n Hong Kong cinema<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/victor-fan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Victor Fan<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/bzcqy\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/bzcqy\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Anticipating action: The evolving grammar of action and montage in\r\n Hong Kong cinema<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jessica-ka-yee-chan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Jessica Ka Yee Chan<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/stxk9\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/stxk9\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >\u2018Don\u2019t mention (them) again\u2019! Shame, the Black Eagles Incident and\r\n Winds of September<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/po-hsi-chen\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Po-hsi Chen<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/9avkg\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/9avkg\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 2.1. ( 1 April 2016)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Eternal maidens: Kawaii aesthetics and otome sensibility in Lolita\r\n fashion<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/an-nguyen\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >An Nguyen<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/qmjtc\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/qmjtc\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Agentic cute (^.^): Pastiching East Asian cute in Influencer\r\n commerce<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/crystal-abidin\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Crystal Abidin<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/3psur\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/3psur\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >A lovable metaphor: On the affect, language and design of\r\n \u2018cute\u2019<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/joel-gn\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Joel Gn<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/6yb9d\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/6yb9d\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Kyaraben (character bento): The cutesification of Japanese food in\r\n and beyond the lunchbox<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/debra-j-occhi\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Debra J. Occhi<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/cax9d\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/cax9d\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The two-layer model of \u2018kawaii\u2019: A behavioural science framework for\r\n understanding kawaii and cuteness<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hiroshi-nittono\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Hiroshi Nittono<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: open access <\/span\r\n ><a\r\n href=\"https:\/\/www.ingentaconnect.com\/contentone\/intellect\/eapc\/2016\/00000002\/00000001\/art00007\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/www.ingentaconnect.com\/contentone\/intellect\/eapc\/2016\/00000002\/00000001\/art00007<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >When erotic meets cute: Erokawa and the public expression of female\r\n sexuality in contemporary Japan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hiroshi-aoyagi\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Hiroshi Aoyagi<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/shu-min-yuen\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Shu Min Yuen<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/qkpbn\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/qkpbn\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Kawaii, kenosis, Verwindung: A reading of kawaii through Vattimo\u2019s\r\n philosophy of \u2018weak thought\u2019<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/thorsten-botz-bornstein\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Thorsten Botz-Bornstein<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/udy4h\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/udy4h\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >\u2018But I am a kid\u2019: Optimizing adolescence in Oshii Mamoru\u2019s The Sky\r\n Crawlers<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/lindsay-nelson\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Lindsay Nelson<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/n7ydx\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/n7ydx\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 2.2. (1 July 2016)<\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Promoting intercultural sensitivity through New Korean Cinema\r\n films<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/heebon-park\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Heebon Park<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/andrew-finch\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Andrew Finch<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/e5ybp\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/e5ybp\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Drawing the troubled artist abroad: Guy Delisle\u2019s visual\r\n travelogues<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/lan-dong\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Lan Dong<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-weight: normal; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/vzaqh\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/vzaqh\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Politicizing motorcycles: Racialized capital of technology,\r\n techno-Orientalism and Japanese temporality<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/esperanza-miyake\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Esperanza Miyake<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/9mprd\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/9mprd\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve\r\n Clone series<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/ming-turner\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Ming Turner<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-weight: normal; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/e97z2\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-weight: bold\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/e97z2\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Mao goes pop online: Game art worlds in China<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/alice-ming-wai-jim\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Alice Ming Wai Jim<\/span\r\n ><\/a\r\n ><br \/><span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/ktz8c\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/ktz8c\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Contemporary art by Chinese diaspora in a global age<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/patricia-eichenbaum-karetzky\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Patricia Eichenbaum Karetzky<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/dju5s\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/dju5s\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Zones of seeing: Artistic, touristic and digital images of the\r\n DMZ<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/beccy-kennedy\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Beccy KENNEDY<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/d7uha\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/d7uha\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 3.1. (1 April 2017)<\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Tokyo subcultural street styles: Japanese subcultural street style as\r\n a uniform<\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n widows: 2;\r\n orphans: 2;\r\n font-size: 11.5pt;\r\n ;\r\n \"\r\n >\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/theresa-m-winge\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Ther\u00e8sa M. Winge<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/qfshw\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/qfshw\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Girl Power, transgression and the embodiment of the image: The rise\r\n of Enjo-k\u014dsai and hyper-sexual economy in post-bubble Japan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/mary-reisel\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Mary Reisel<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/usqkf\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/usqkf\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Masculinity and aspiring consumption: A reception study of men\u2019s\r\n lifestyle magazines in contemporary China<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/tracy-k-lee\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Tracy K. Lee<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/geng-song\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Geng Song<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"abstractdrop\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/rv2tp\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/rv2tp\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span\r\n class=\"abstractdrop\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Japanese gay men\u2019s attitudes towards \u2018gay manga\u2019 and the problem of\r\n genre<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/thomas-baudinette\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Thomas Baudinette<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/cw8uk\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/cw8uk\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >From underground to the palm of your hand: The spatiality and\r\n cultural practice of South Korean webtoons<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/keung-yoon-becky-bae\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Keung Yoon \u2018Becky\u2019 Bae<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/9h6sz\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/9h6sz\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Samurai masculinity, Japan\u2019s self defence force and the uncanny\r\n space\u2013time of Sengoku Jieitai<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/fraser-mckissack\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Fraser McKissack<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/34d2b\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/34d2b\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Multi-layered reconciliations in the imagined Diqiucun in Cape No.\r\n 7<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/huang-lan-su\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Huang-Lan Su<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI<\/span><span> <\/span><span>: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/bc3fs\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/bc3fs\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 3.2. (1 August 2017)<\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >From \u2018Blue and White Porcelain\u2019 to \u2018Island\u2019s Sunrise\u2019: Young audience\r\n perceptions of Chineseness and Taiwaneseness in Taiwan\u2019s popular\r\n music<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/chen-yu-lin\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Chen-Yu Lin<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/haekyung-um\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Haekyung Um<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-weight: normal; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/hw4pt\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/hw4pt\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >All under heaven KANO: The politics of nostalgia and the making of a\r\n new Taiwanese identity in Wei Te-sheng\u2019s Taiwan-Japan trilogy<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/frederik-h-green\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Frederik H. Green<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/j8253\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/j8253\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Power asymmetries in intercultural theatre in Taiwan: Flagship\r\n productions and audience response<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/wei-chih-wang\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Wei-Chih Wang<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/bthdq\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/bthdq\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >From visual fantasies to bodily trajectories: The insular\r\n epistemology of around-the-island journeys in Taiwan cinema<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/ssu-fang-liu-jessie\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Ssu-Fang Liu Jessie<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/7nwxj\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/7nwxj\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >When localism meets racism: The controversy caused by the music video\r\n Foreigner<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hsin-i-sydney-yueh\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Hsin-I Sydney Yueh<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/3dy2x\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/3dy2x\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The Chinese animation blockbuster and Lotus Lantern (1999)<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/shaopeng-chen\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Shaopeng Chen<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/3dy2x\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/3dy2x\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 4.1. (1 April 2018)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Toshio\u2019s movie castle: A historical overview of Studio Ghibli\u2019s\r\n collaboration and promotional strategies<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/shiro-yoshioka\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Shiro Yoshioka<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-weight: normal; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/uhtjp\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/uhtjp\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Before Ghibli was Ghibli: Analysing the historical discourses\r\n surrounding Hayao Miyazaki\u2019s Castle in the Sky (1986)<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/rayna-denison\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Rayna Denison<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/xprwj\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/xprwj\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span\r\n style=\"\r\n width: 184pt;\r\n display: inline-block;\r\n -aw-tabstop-align: left;\r\n -aw-tabstop-pos: 184pt;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Marketing anime to a global audience: A paratextual analysis of\r\n promotional materials from Spirited Away<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/laz-carter\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Laz Carter<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/u45hp\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/u45hp\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Can faithfulness to the original text betray the target public? The\r\n adaptations of Mononokehime (Princess Mononoke) in Italy<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/daniela-pizzuto\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Daniela Pizzuto<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/kp2ng\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/kp2ng\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The \u2018Totoro Meme\u2019 and the politics of transfandom pleasure<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/lori-morimoto\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Lori Morimoto<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/eqk2y\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/eqk2y\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Bridge builders, world makers: Transcultural Studio Ghibli fan\r\n crafting<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/james-rendell\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >James Rendell<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/2wsfu\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/2wsfu\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"abstractdrop\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n line-height: 16.5pt;\r\n widows: 2;\r\n orphans: 2;\r\n ;\r\n \"\r\n >\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Webtoons to promote critical thinking in neo-liberal South Korea: A\r\n thematic analysis of Awl social justice themes<\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n line-height: 16.5pt;\r\n widows: 2;\r\n orphans: 2;\r\n ;\r\n \"\r\n >\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jinhee-choi\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Jinhee Choi<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/ruy26\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/ruy26\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 4.2. (1 August 2018)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >A brief history of Japanese popular culture in Japanese language\r\n education: Using \u2018manga\u2019 in the classroom<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/sumiko-iida\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Sumiko Iida<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/yuki-takeyama\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Yuki Takeyama<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/8ksfd\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/8ksfd\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >A portrait of Japanese popular culture fans who study Japanese at an\r\n Australian university: Motivation and activities beyond the\r\n classroom<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/taeko-imura\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Taeko Imura<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/ae4jx\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/ae4jx\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The influence of Japanese popular culture on learning Japanese<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/barbara-m-northwood\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Barbara M. Northwood<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/gntcv\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/gntcv\/<\/span\r\n ><\/a\r\n ><br \/><span\r\n style=\"\r\n font-family: Muli;\r\n font-size: 11.5pt;\r\n color: #4d4c4c;\r\n -aw-import: ignore;\r\n \"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Using the revised Bloom\u2019s taxonomy to reflect on the teaching of the\r\n Japanese language through \u2018manga\u2019 and anime<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/william-s-armour\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >William S. Armour<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/sumiko-iida\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Sumiko Iida<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/u6fsc\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/u6fsc\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >\u2018Loving nation\u2019 and \u2018subjugated nation\u2019: Popular narratives of the\r\n nation in early twentieth-century Shanghai<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/peijie-mao\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Peijie Mao<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/3unmv\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/3unmv\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Refining modern beauties: The evolving depiction of Chinese women in\r\n cigarette cards, 1900\u201337<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jie-gao\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Jie Gao<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/hp84t\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/hp84t\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 5.1. (1 April 2019)<\/span>\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The voices of adult anime\/\u2018manga\u2019 fans in Australia: Motivations,\r\n consumption patterns and intentions to learn the Japanese\r\n language<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/sumiko-iida\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Sumiko Iida<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/william-s-armour\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >William S. Armour<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/2cxuz\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/2cxuz\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The Olympic decathlete who became a shaman: C. K. Yang and the\r\n masculine body in modern Taiwan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/andrew-d-morris\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Andrew D. Morris<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/wmnty\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/wmnty\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The controversial flag dress: Collective memory, cyberspace and civil\r\n society in a rising China<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/en-li\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >En Li<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/qr786\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/qr786\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Does the democratic West \u2018learn\u2019 from the authoritarian East?\r\n Juxtaposing German and Chinese Internet censorship and filter\r\n bubbles<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/maria-faust\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Maria Faust<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/jdvrt\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/jdvrt\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 5.2. (1 August 2019)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >An everyday glimpse of the nation: NHK\u2019s morning drama (asadora) and\r\n rituality<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/elisabeth-scherer\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Elisabeth Scherer<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/zefg6\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/zefg6\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The war\u2019s end: 15 August 1945 in NHK\u2019s morning dramas from 1966 to\r\n 2019<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/sachiko-masuda\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Sachiko Masuda<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/nu2fc\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/nu2fc\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Television and the ama: The continuing search for a real Japan in\r\n NHK\u2019s morning drama Amachan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/dolores-p-martinez\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Dolores P. Martinez<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/sd9jk\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/sd9jk\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Tourism and local identity generated by NHK\u2019s morning drama: The\r\n intersection of memory and imagination in Kobe<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/kyungjae-jang\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Kyungjae Jang<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/7fgup\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/7fgup\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The Japanization of wife and whisky in NHK\u2019s morning drama\r\n Massan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/timo-thelen\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Timo Thelen<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/yqsbv\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/yqsbv\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 6.1. (1 April 2020)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Disciplining women in Hong Kong: The discourse of \u2018Kong girl\u2019 in the\r\n media and daily life<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/tracy-k-lee\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Tracy K. Lee<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/zkqu3\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/zkqu3\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >K-pop idols in Japan: The translation of Korean masculinities in\r\n music videos<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/judit-kroo\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Judit Kroo<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/jxus6\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/jxus6\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >\u2018Little New Meat\u2019 and \u2018Korean Warm Men\u2019: Performance of regional\r\n heterosexual masculinities among Taiwanese millennials<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hong-chi-shiau-1\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Hong-Chi Shiau<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"abstractdrop\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/ur6ae\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/ur6ae\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Media mix and character marketing in Madoka Magica<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/simon-gough\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Simon Gough<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"abstractdrop\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/dfej7\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/dfej7\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Female idols in Japan: Desiring desire, fantasmatic consumption and\r\n drive satisfaction<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/pieter-jan-van-haecke\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Pieter-Jan Van Haecke<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/ax6vp\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/ax6vp\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Foreign places as Korean spaces: Representations of national trauma\r\n in the South Korean dramas Ireland and Descendants of the Sun<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/faye-mercier\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Faye Mercier<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/k4c8d\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/k4c8d\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Cultural amnesia or continuity? Expressions of han in K-pop<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/bjorn-boman\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Bj\u00f6rn Boman<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/4275f\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/4275f\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 6.2. (1 August 2020)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Interrogating the global success of J-pop and K-pop idols<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/dorothy-finan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Dorothy Finan<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/vzkyq\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/vzkyq\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Intercultural sensitivity in Orientalist cinema<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/philippe-mather\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Philippe Mather<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/s8eaz\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/s8eaz\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Crazy Rich Asians<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >and pan-Asian screen cosmopolitanism<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/mark-gallagher\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Mark Gallagher<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/gm9ev\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/gm9ev\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The Korean Wave celebrity and the birth of the K-drama\r\n conglomerate<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hyun-gyung-kim\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Hyun Gyung Kim<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/34t2z\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/34t2z\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: PMingLiU; font-weight: normal; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Performed intermediality and beyond in the BTS music video \u2018Idol\u2019:\r\n K-Pop idol identities in contemporary Hallyu<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/yeogeun-yonsue-kim\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Yeogeun Yonsue Kim<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/ycn4w\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/ycn4w\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >\u2018So, he is practically a Korean?\u2019: Power relations and\r\n re-articulation of the Korean Self in the TV show<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Non-Summit<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/tanja-eydam\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Tanja Eydam<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/gvmnt\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/gvmnt\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Domesticating gangsters? Home\/work conflicts in South Korean family\r\n drama gangster film<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/mark-r-plaice\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Mark R. Plaice<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/md4xg\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/md4xg\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 7.1. (1 April 2021)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Writing girls through girls\u2019 magazines: (En)gendering childhood,\r\n 1895\u20131912<\/span\r\n >\r\n <\/p>\r\n <p\r\n style=\"\r\n widows: 2;\r\n orphans: 2;\r\n font-size: 11.5pt;\r\n ;\r\n \"\r\n >\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/wakako-suzuki\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Wakako Suzuki<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/76ktf\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/76ktf\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Democracy in female fast-fashion: A case study in Taiwan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/shih-ying-lin\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Shih-Ying Lin<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/f8xqv\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/f8xqv\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Language, identity and unintelligibility: A case study of the rap\r\n group Higher Brothers<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jin-liu\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Jin Liu<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/cv78u\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/cv78u\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Japanese street dance culture in manga and anime: Hip hop\r\n transcription in<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Samurai Champloo<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >and<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Tokyo Tribe-2<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/po-lung-huang\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Po-Lung Huang<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/3f54q\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/3f54q\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >A heteropatriarchy in moderation: Reading family in a Thai Boys Love\r\n lakhon<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/ying-kit-chan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Ying-kit Chan<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"abstractdrop\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/jt6h7\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; font-size: 11.5pt\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/jt6h7\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The applicability of Big Five facets and Dark Tetrad traits on Yukio\r\n Mishima\u2019s novel protagonists<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/bjorn-boman\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Bj\u00f6rn Boman<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/62538\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/62538\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: PMingLiU; -aw-import: ignore\"> <\/span>\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Animist influence and immutable corporeality: Repositioning the\r\n significance of Japanese cinematic zombies<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/guillaume-vetu\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Guillaume V\u00e9tu<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span>DOI: <\/span\r\n ><a\r\n href=\"https:\/\/osf.io\/preprints\/socarxiv\/97v3e\/\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\"\r\n >https:\/\/osf.io\/preprints\/socarxiv\/97v3e\/<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 7.2. (1 August 2021)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Friend and foe: Wei Te-Sheng on Taiwanese emotions towards Japanese\r\n colonization and the Japanese perspectives of Ryotaro Shiba and\r\n Yoshinori Kobayashi<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/tets-kimura\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Tets Kimura<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/shih-ying-lin\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Shih-Ying Lin<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI<\/span\r\n ><br \/><span style=\"font-family: PMingLiU; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Syaman Rapongan\u2019s \u2018The mythology of Badai Bay\u2019: A symbolic father\u2019s\r\n legacy<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/martina-r-prosperi\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Martina R. Prosperi<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Spatialization of Confucian ethics in the<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Song of China<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/wei-liu\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Wei Liu<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Mahjong, Chinese diaspora cinema and identity construction<\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">Authors:<\/span\r\n ><span style=\"font-family: Muli; color: #4d4c4c\"> <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/xiangu-qi\"\r\n style=\"text-decoration: none\"\r\n ><span class=\"Hyperlink\" style=\"font-family: Muli; color: #337ab7\"\r\n >Xiangu Qi<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Problematizing heteronormativity: Performativity, resignification and\r\n A\/B\/O fiction in Chinese danmei literature<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/liang-ge\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Liang Ge<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Attack on normativity: A queer reading of<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Shingeki no Kyojin<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\">(<\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Attack on Titan<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\">)<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/marta-fanasca\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Marta Fanasca<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span\r\n ><br \/><br \/><span style=\"font-family: PMingLiU; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Godzilla and Rodin\u2019s<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >The Gates of Hell<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/erik-r-lofgren\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Erik R. Lofgren<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span><br \/><span\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The history and future of identity politics and popular culture in\r\n East Asia<\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"\r\n font-family: Muli;\r\n font-size: 6pt;\r\n vertical-align: super;\r\n color: #4d4c4c;\r\n \"\r\n >1,2<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/ya-ko-wang\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Ya Ko Wang<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/glyn-jones\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Glyn Jones<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/mihaela-cristina-ionescu\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Mihaela Cristina Ionescu<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span>DOI<\/span><\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 8.1. (1 April 2022)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Aspirational cosmopolitanism in classical music anime: Adapting\r\n Romantic legacies in<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Forest of Piano<\/span\r\n >\r\n <\/p>\r\n <p style=\"widows: 2; orphans: 2;\">\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/ruth-barratt-peacock\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Ruth Barratt-Peacock<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The cultural shareability of Korean popular media in India: A\r\n reflexive thematic analysis of BTS music videos<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jasdeep-kaur-chandi\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Jasdeep Kaur Chandi<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/kulveen-trehan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Kulveen Trehan<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Debating \u2018Chineseness\u2019 and \u2018national identity\u2019 in the Sinophone\r\n Malaysian films<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >The Journey<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >(2014) and<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Ola Bola<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >(2016)<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hui-yan-chew\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Hui Yan Chew<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The screen kiss in 1937: Re-reading<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Street Angel<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >and<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >Crossroads<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jessica-ka-yee-chan\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Jessica Ka Yee Chan<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >Topography of cinematic heroism: The transregional remakes of<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span\r\n class=\"Strong\"\r\n style=\"font-family: Muli; font-style: italic; color: #4d4c4c\"\r\n >A Better Tomorrow<\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n > <\/span\r\n ><span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >(1986)<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/jinhua-li\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Jinhua Li<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >DOI<\/span\r\n ><br \/><span\r\n style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The not-so-great rapprochement: Taming and consuming Chiang Kai-shek\r\n in the era of cross-strait rapprochement tourism<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/j-j-zhang\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >J. J. Zhang<\/span\r\n ><\/a\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >,<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/hardina-ohlendorf\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Hardina Ohlendorf<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p style=\"font-size: 11.5pt;\">\r\n <span style=\"font-family: Muli; color: #4d4c4c\">DOI<\/span>\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; color: #4d4c4c; -aw-import: ignore\"\r\n > <\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span class=\"Strong\" style=\"font-family: Muli; color: #4d4c4c\"\r\n >The second life of a political cult: Official and popular\r\n reappropriation of Chiang Kai-shek statues in post-martial law\r\n Taiwan<\/span\r\n >\r\n <\/p>\r\n <p>\r\n <span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n >Authors:<\/span\r\n ><span style=\"font-family: Muli; font-size: 11.5pt; color: #4d4c4c\"\r\n > <\/span\r\n ><a\r\n href=\"https:\/\/www.intellectbooks.com\/vladimir-stolojan-filipesco\"\r\n style=\"text-decoration: none\"\r\n ><span\r\n class=\"Hyperlink\"\r\n style=\"font-family: Muli; font-size: 11.5pt; color: #337ab7\"\r\n >Vladimir Stolojan-filipesco<\/span\r\n ><\/a\r\n >\r\n <\/p>\r\n <p><span>DOI <\/span><\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <p style=\"font-size: 14pt\">\r\n <span style=\"font-weight: bold\">EAJPC 8.2. (August 2022)<\/span>\r\n <\/p>\r\n <p><span style=\"-aw-import: ignore\"> <\/span><\/p>\r\n <\/div>\r\n <\/body>\r\n<\/html>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>EAJPC Preprints \u2018Preprint\u2019\u00a0 Explanation EAJPC editors s […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":3835,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"full-width","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"EAJPC preprints","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-7768","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/7768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=7768"}],"version-history":[{"count":18,"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/7768\/revisions"}],"predecessor-version":[{"id":7796,"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/7768\/revisions\/7796"}],"up":[{"embeddable":true,"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/3835"}],"wp:attachment":[{"href":"https:\/\/www.itsc.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=7768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}