EAJPC Preprints

‘Preprint’ Explanation

EAJPC editors see the benefit that our publications gain a broad audience, which may help with the ranking and wider visibility of our research output. Intellect publishers are aware of this, and have opened the possibility to have published articles which have passed the embargo of 1 year to be freely circulated in their preprint version. There are a number of servers to upload preprints, but Intellect works with SOCARXIV https://socopen.org/ and https://osf.io/preprints/socarxiv (SFO)

Note: Unlike some common misunderstandings - and practices - that preprints are considered non-peer reviewed papers and the use of preprint servers, this is not the case for the EAJPC preprints. The content is identical to the published version with the only difference that it does not have the Intellect journal page layout and page numbering, but uploads the 'copy edited' version including the corrections from the proof settings. Furthermore, each preprint uploaded to SFO is premoderated and only given a preprint DOI when accepted.

「預印本論文」的說明

EAJPC的編者們發現他們文章與出版得到台灣讀者廣泛的關注與重視，為了提供更好的學術能見度以及讓大家的產出得到更多回饋，編者們決定解禁，提供文章的預印本版本一年的免費流通權限，著作主要將在Intellect合作的預印本伺服器SOCARXIV https://socopen.org/ 以及SFO https://osf.io/preprints/socarxiv上傳，歡迎大家使用、參考！

注意：常有人誤會或認為預印本是無同儕檢視的論文或是沒通過審查等預印本伺服器的使用，但我們必須澄清：EAJPC的預印本內容不同。這些內容都是可以印刷發行的版本，差異只在這些內容沒有經由Intellect排版和頁碼安排，但內容上都已是通過審稿與編輯階段的文章，且上傳到SFO的文章都已經過預審，皆具備通過者才有的「預印本DOI編碼」。

我們將定期上傳更新預印本論文的列表，更多資訊請上：

https://www.cwauthors.com/article/understanding-the-use-of-preprint-servers (英文)

https://mail.google.com/mail/u/0/#drafts/FMfcgzGqQSKPdQsZdtMSkMtwdSTqTFDx (中文)

EAJPC 1.1. ( 1 April 2015)

‘…behind a screen’: Early intercultural exchange in the Yokohama treaty port and the Michael Moss court case (1860)

Authors: Chester Proshan

DOI: https://osf.io/preprints/socarxiv/yejna/

A Japanese engineer who became a Taiwanese deity: Postcolonial representations of Hatta Yoichi

Authors: Yoshihisa Amae

DOI: https://osf.io/preprints/socarxiv/94my3/

Qianwei (‘avant-garde’) art in reform-era China: Divergence, reversal and the persistence of (subjective) realism

Authors: Paul GLADSTON

DOI: https://osf.io/preprints/socarxiv/7cxkd/

Approaching transnational Chinese queer stardom as zhongxing (‘neutral sex/gender’) sensibility

Authors: Eva Cheuk-yin Li

DOI: https://osf.io/preprints/socarxiv/qr786/

Ringing One Missed Call: Franchising, transnational flows and genre production

Authors: Steven Rawle

DOI: https://osf.io/preprints/socarxiv/5k7qc/

Cultural harmonization in East Asia: Adaptation of Hana yori dango / Boys Over Flowers

Authors: Seiko Yasumoto

DOI: https://osf.io/preprints/socarxiv/7rx5j/

What text can tell us about male and female characters in shōjo- and shōnen-manga

Authors: Giancarla Unser-Schutz

DOI: https://osf.io/preprints/socarxiv/c4dnw/

EAJPC 1.2. ( 1 June 2015)

One photo, two stories: Chinese photos in British museums

Authors: Min-Hsiu Liao

DOI: https://osf.io/preprints/socarxiv/vxc95/

Dubbing Death Note: Framing the authentic text

Authors: Jonathan Wroot

DOI

A culture of borrowing: Iconography, ideology and idiom in Kari-gurashi no Arietti/The Secret World of Arrietty

Authors: Robert Hyland

DOI: https://osf.io/preprints/socarxiv/7gh2v/

Negotiating the meaning of filial piety in The Guasha Treatment

Authors: Qijun Han

DOI: https://osf.io/preprints/socarxiv/2nx5h/

Visualizing the self in comedic pathos: Japanese autobiographical manga at the limit of multiculturalism

Authors: Ikuho Amano

DOI: https://osf.io/preprints/socarxiv/27wsk/

The witches of Tokyo: An investigation into the bimajyo trend

Authors: Satoshi Ota

DOI: https://osf.io/preprints/socarxiv/xq8hf/

Is the Long March a dream? Imagination, nationalism and multiple declination of a real mythology

Authors: Corrado Neri

DOI: https://osf.io/preprints/socarxiv/y95kf/

Chinese minstrelsy: The popular cultural performance art of Jinhua Daoqing

Authors: Eugene Cooper

DOI: https://osf.io/preprints/socarxiv/fqens/

EAJPC 1.3. ( 1 December 2015)

In search of an ‘origin’: Re-presenting guoxue in Chinese cinema of the new millennium

Authors: Yun Zhu

DOI: https://osf.io/preprints/socarxiv/s6nw2/

The sky is the limit: Feng Xiaoning’s leitmotif cinema, Chinese soft power and ideological fantasy

Authors: Frederik H. Green

DOI: https://osf.io/preprints/socarxiv/fzyx7/

Bodies in crisis: Sensuality and the cinematic reconfiguration of the spy genre in contemporary Chinese cinema

Authors: Yanhong Zhu

DOI: https://osf.io/preprints/socarxiv/xmw8h/

Lost in Thailand: Travel metaphors in contemporary Chinese comedy

Authors: Wei Yang

DOI: https://osf.io/preprints/socarxiv/65nfg/

Cultural extraterritoriality: Intra-regional politics in contemporary Hong Kong cinema

Authors: Victor Fan

DOI: https://osf.io/preprints/socarxiv/bzcqy/

Anticipating action: The evolving grammar of action and montage in Hong Kong cinema

Authors: Jessica Ka Yee Chan

DOI: https://osf.io/preprints/socarxiv/stxk9/

‘Don’t mention (them) again’! Shame, the Black Eagles Incident and Winds of September

Authors: Po-hsi Chen

DOI: https://osf.io/preprints/socarxiv/9avkg/

EAJPC 2.1. ( 1 April 2016)

Eternal maidens: Kawaii aesthetics and otome sensibility in Lolita fashion

Authors: An Nguyen

DOI: https://osf.io/preprints/socarxiv/qmjtc/

Agentic cute (^.^): Pastiching East Asian cute in Influencer commerce

Authors: Crystal Abidin

DOI: https://osf.io/preprints/socarxiv/3psur/

A lovable metaphor: On the affect, language and design of ‘cute’

Authors: Joel Gn

DOI: https://osf.io/preprints/socarxiv/6yb9d/

Kyaraben (character bento): The cutesification of Japanese food in and beyond the lunchbox

Authors: Debra J. Occhi

DOI: https://osf.io/preprints/socarxiv/cax9d/

The two-layer model of ‘kawaii’: A behavioural science framework for understanding kawaii and cuteness

Authors: Hiroshi Nittono

DOI: open access https://www.ingentaconnect.com/contentone/intellect/eapc/2016/00000002/00000001/art00007

When erotic meets cute: Erokawa and the public expression of female sexuality in contemporary Japan

Authors: Hiroshi Aoyagi, Shu Min Yuen

DOI: https://osf.io/preprints/socarxiv/qkpbn/

Kawaii, kenosis, Verwindung: A reading of kawaii through Vattimo’s philosophy of ‘weak thought’

Authors: Thorsten Botz-Bornstein

DOI: https://osf.io/preprints/socarxiv/udy4h/

‘But I am a kid’: Optimizing adolescence in Oshii Mamoru’s The Sky Crawlers

Authors: Lindsay Nelson

DOI: https://osf.io/preprints/socarxiv/n7ydx/

EAJPC 2.2. (1 July 2016)

Promoting intercultural sensitivity through New Korean Cinema films

Authors: Heebon Park, Andrew Finch

DOI: https://osf.io/preprints/socarxiv/e5ybp/

Drawing the troubled artist abroad: Guy Delisle’s visual travelogues

Authors: Lan Dong

DOI: https://osf.io/preprints/socarxiv/vzaqh/

Politicizing motorcycles: Racialized capital of technology, techno-Orientalism and Japanese temporality

Authors: Esperanza Miyake

DOI: https://osf.io/preprints/socarxiv/9mprd/

Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone series

Authors: Ming Turner

DOI: https://osf.io/preprints/socarxiv/e97z2/

Mao goes pop online: Game art worlds in China

Authors: Alice Ming Wai Jim
DOI: https://osf.io/preprints/socarxiv/ktz8c/

Contemporary art by Chinese diaspora in a global age

Authors: Patricia Eichenbaum Karetzky

DOI: https://osf.io/preprints/socarxiv/dju5s/

Zones of seeing: Artistic, touristic and digital images of the DMZ

Authors: Beccy KENNEDY

DOI: https://osf.io/preprints/socarxiv/d7uha/

EAJPC 3.1. (1 April 2017)

Tokyo subcultural street styles: Japanese subcultural street style as a uniform

Authors: Therèsa M. Winge

DOI: https://osf.io/preprints/socarxiv/qfshw/

Girl Power, transgression and the embodiment of the image: The rise of Enjo-kōsai and hyper-sexual economy in post-bubble Japan

Authors: Mary Reisel

DOI: https://osf.io/preprints/socarxiv/usqkf/

Masculinity and aspiring consumption: A reception study of men’s lifestyle magazines in contemporary China

Authors: Tracy K. Lee, Geng Song

DOI: https://osf.io/preprints/socarxiv/rv2tp/

Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre

Authors: Thomas Baudinette

DOI: https://osf.io/preprints/socarxiv/cw8uk/

From underground to the palm of your hand: The spatiality and cultural practice of South Korean webtoons

Authors: Keung Yoon ‘Becky’ Bae

DOI: https://osf.io/preprints/socarxiv/9h6sz/

Samurai masculinity, Japan’s self defence force and the uncanny space–time of Sengoku Jieitai

Authors: Fraser McKissack

DOI: https://osf.io/preprints/socarxiv/34d2b/

Multi-layered reconciliations in the imagined Diqiucun in Cape No. 7

Authors: Huang-Lan Su

DOI : https://osf.io/preprints/socarxiv/bc3fs/

EAJPC 3.2. (1 August 2017)

From ‘Blue and White Porcelain’ to ‘Island’s Sunrise’: Young audience perceptions of Chineseness and Taiwaneseness in Taiwan’s popular music

Authors: Chen-Yu Lin, Haekyung Um

DOI: https://osf.io/preprints/socarxiv/hw4pt/

All under heaven KANO: The politics of nostalgia and the making of a new Taiwanese identity in Wei Te-sheng’s Taiwan-Japan trilogy

Authors: Frederik H. Green

DOI: https://osf.io/preprints/socarxiv/j8253/

Power asymmetries in intercultural theatre in Taiwan: Flagship productions and audience response

Authors: Wei-Chih Wang

DOI: https://osf.io/preprints/socarxiv/bthdq/

From visual fantasies to bodily trajectories: The insular epistemology of around-the-island journeys in Taiwan cinema

Authors: Ssu-Fang Liu Jessie

DOI : https://osf.io/preprints/socarxiv/7nwxj/

When localism meets racism: The controversy caused by the music video Foreigner

Authors: Hsin-I Sydney Yueh

DOI: https://osf.io/preprints/socarxiv/3dy2x/

The Chinese animation blockbuster and Lotus Lantern (1999)

Authors: Shaopeng Chen

DOI: https://osf.io/preprints/socarxiv/3dy2x/

EAJPC 4.1. (1 April 2018)

Toshio’s movie castle: A historical overview of Studio Ghibli’s collaboration and promotional strategies

Authors: Shiro Yoshioka

DOI: https://osf.io/preprints/socarxiv/uhtjp/

Before Ghibli was Ghibli: Analysing the historical discourses surrounding Hayao Miyazaki’s Castle in the Sky (1986)

Authors: Rayna Denison

DOI: https://osf.io/preprints/socarxiv/xprwj/

Marketing anime to a global audience: A paratextual analysis of promotional materials from Spirited Away

Authors: Laz Carter

DOI: https://osf.io/preprints/socarxiv/u45hp/

Can faithfulness to the original text betray the target public? The adaptations of Mononokehime (Princess Mononoke) in Italy

Authors: Daniela Pizzuto

DOI: https://osf.io/preprints/socarxiv/kp2ng/

The ‘Totoro Meme’ and the politics of transfandom pleasure

Authors: Lori Morimoto

DOI: https://osf.io/preprints/socarxiv/eqk2y/

Bridge builders, world makers: Transcultural Studio Ghibli fan crafting

Authors: James Rendell

DOI: https://osf.io/preprints/socarxiv/2wsfu/

Webtoons to promote critical thinking in neo-liberal South Korea: A thematic analysis of Awl social justice themes

Authors: Jinhee Choi

DOI: https://osf.io/preprints/socarxiv/ruy26/

EAJPC 4.2. (1 August 2018)

A brief history of Japanese popular culture in Japanese language education: Using ‘manga’ in the classroom

Authors: Sumiko Iida, Yuki Takeyama

DOI: https://osf.io/preprints/socarxiv/8ksfd/

A portrait of Japanese popular culture fans who study Japanese at an Australian university: Motivation and activities beyond the classroom

Authors: Taeko Imura

DOI: https://osf.io/preprints/socarxiv/ae4jx/

The influence of Japanese popular culture on learning Japanese

Authors: Barbara M. Northwood

DOI: https://osf.io/preprints/socarxiv/gntcv/

Using the revised Bloom’s taxonomy to reflect on the teaching of the Japanese language through ‘manga’ and anime

Authors: William S. Armour, Sumiko Iida

DOI: https://osf.io/preprints/socarxiv/u6fsc/

‘Loving nation’ and ‘subjugated nation’: Popular narratives of the nation in early twentieth-century Shanghai

Authors: Peijie Mao

DOI: https://osf.io/preprints/socarxiv/3unmv/

Refining modern beauties: The evolving depiction of Chinese women in cigarette cards, 1900–37

Authors: Jie Gao

DOI: https://osf.io/preprints/socarxiv/hp84t/

EAJPC 5.1. (1 April 2019)

The voices of adult anime/‘manga’ fans in Australia: Motivations, consumption patterns and intentions to learn the Japanese language

Authors: Sumiko Iida, William S. Armour

DOI: https://osf.io/preprints/socarxiv/2cxuz/

The Olympic decathlete who became a shaman: C. K. Yang and the masculine body in modern Taiwan

Authors: Andrew D. Morris

DOI: https://osf.io/preprints/socarxiv/wmnty/

The controversial flag dress: Collective memory, cyberspace and civil society in a rising China

Authors: En Li

DOI: https://osf.io/preprints/socarxiv/qr786/

Does the democratic West ‘learn’ from the authoritarian East? Juxtaposing German and Chinese Internet censorship and filter bubbles

Authors: Maria Faust

DOI: https://osf.io/preprints/socarxiv/jdvrt/

EAJPC 5.2. (1 August 2019)

An everyday glimpse of the nation: NHK’s morning drama (asadora) and rituality

Authors: Elisabeth Scherer

DOI: https://osf.io/preprints/socarxiv/zefg6/

The war’s end: 15 August 1945 in NHK’s morning dramas from 1966 to 2019

Authors: Sachiko Masuda

DOI: https://osf.io/preprints/socarxiv/nu2fc/

Television and the ama: The continuing search for a real Japan in NHK’s morning drama Amachan

Authors: Dolores P. Martinez

DOI: https://osf.io/preprints/socarxiv/sd9jk/

Tourism and local identity generated by NHK’s morning drama: The intersection of memory and imagination in Kobe

Authors: Kyungjae Jang

DOI: https://osf.io/preprints/socarxiv/7fgup/

The Japanization of wife and whisky in NHK’s morning drama Massan

Authors: Timo Thelen

DOI: https://osf.io/preprints/socarxiv/yqsbv/

EAJPC 6.1. (1 April 2020)

Disciplining women in Hong Kong: The discourse of ‘Kong girl’ in the media and daily life

Authors: Tracy K. Lee

DOI: https://osf.io/preprints/socarxiv/zkqu3/

K-pop idols in Japan: The translation of Korean masculinities in music videos

Authors: Judit Kroo

DOI: https://osf.io/preprints/socarxiv/jxus6/

‘Little New Meat’ and ‘Korean Warm Men’: Performance of regional heterosexual masculinities among Taiwanese millennials

Authors: Hong-Chi Shiau

DOI: https://osf.io/preprints/socarxiv/ur6ae/

Media mix and character marketing in Madoka Magica

Authors: Simon Gough

DOI: https://osf.io/preprints/socarxiv/dfej7/

Female idols in Japan: Desiring desire, fantasmatic consumption and drive satisfaction

Authors: Pieter-Jan Van Haecke

DOI: https://osf.io/preprints/socarxiv/ax6vp/

Foreign places as Korean spaces: Representations of national trauma in the South Korean dramas Ireland and Descendants of the Sun

Authors: Faye Mercier

DOI: https://osf.io/preprints/socarxiv/k4c8d/

Cultural amnesia or continuity? Expressions of han in K-pop

Authors: Björn Boman

DOI: https://osf.io/preprints/socarxiv/4275f/

EAJPC 6.2. (1 August 2020)

Interrogating the global success of J-pop and K-pop idols

Authors: Dorothy Finan

DOI: https://osf.io/preprints/socarxiv/vzkyq/

Intercultural sensitivity in Orientalist cinema

Authors: Philippe Mather

DOI: https://osf.io/preprints/socarxiv/s8eaz/

Crazy Rich Asians and pan-Asian screen cosmopolitanism

Authors: Mark Gallagher

DOI: https://osf.io/preprints/socarxiv/gm9ev/

The Korean Wave celebrity and the birth of the K-drama conglomerate

Authors: Hyun Gyung Kim

DOI: https://osf.io/preprints/socarxiv/34t2z/

Performed intermediality and beyond in the BTS music video ‘Idol’: K-Pop idol identities in contemporary Hallyu

Authors: Yeogeun Yonsue Kim

DOI: https://osf.io/preprints/socarxiv/ycn4w/

‘So, he is practically a Korean?’: Power relations and re-articulation of the Korean Self in the TV show Non-Summit

Authors: Tanja Eydam

DOI: https://osf.io/preprints/socarxiv/gvmnt/

Domesticating gangsters? Home/work conflicts in South Korean family drama gangster film

Authors: Mark R. Plaice

DOI: https://osf.io/preprints/socarxiv/md4xg/

EAJPC 7.1. (1 April 2021)

Writing girls through girls’ magazines: (En)gendering childhood, 1895–1912

Authors: Wakako Suzuki

DOI: https://osf.io/preprints/socarxiv/76ktf/

Democracy in female fast-fashion: A case study in Taiwan

Authors: Shih-Ying Lin

DOI: https://osf.io/preprints/socarxiv/f8xqv/

Language, identity and unintelligibility: A case study of the rap group Higher Brothers

Authors: Jin Liu

DOI: https://osf.io/preprints/socarxiv/cv78u/

Japanese street dance culture in manga and anime: Hip hop transcription in Samurai Champloo and Tokyo Tribe-2

Authors: Po-Lung Huang

DOI: https://osf.io/preprints/socarxiv/3f54q/

A heteropatriarchy in moderation: Reading family in a Thai Boys Love lakhon

Authors: Ying-kit Chan

DOI: https://osf.io/preprints/socarxiv/jt6h7/

The applicability of Big Five facets and Dark Tetrad traits on Yukio Mishima’s novel protagonists

Authors: Björn Boman

DOI: https://osf.io/preprints/socarxiv/62538/

Animist influence and immutable corporeality: Repositioning the significance of Japanese cinematic zombies

Authors: Guillaume Vétu

DOI: https://osf.io/preprints/socarxiv/97v3e/

EAJPC 7.2. (1 August 2021)

Friend and foe: Wei Te-Sheng on Taiwanese emotions towards Japanese colonization and the Japanese perspectives of Ryotaro Shiba and Yoshinori Kobayashi

Authors: Tets Kimura, Shih-Ying Lin

DOI

Syaman Rapongan’s ‘The mythology of Badai Bay’: A symbolic father’s legacy

Authors: Martina R. Prosperi

DOI

Spatialization of Confucian ethics in the Song of China

Authors: Wei Liu

DOI

Mahjong, Chinese diaspora cinema and identity construction

Authors: Xiangu Qi

DOI

Problematizing heteronormativity: Performativity, resignification and A/B/O fiction in Chinese danmei literature